 
Date of Birth:
20 June 1967, Honolulu, Hawaii, USA 
Birth Name:
Nicole Mary Kidman 
Nickname:
Nic 
Height:
5' 11" (1.80 m) 
Mini Biography:
Elegant redhead Nicole Kidman, known as one of Hollywood's top  Australian imports, was actually born in Honolulu, Hawaii, to Australian  parents Anthony (a biochemist and clinical psychologist) and Janelle (a  nursing instructor) Kidman. The family moved almost immediately to  Washington, DC, where Nicole's father pursued his research on breast  cancer, and then, three years later, made the pilgrimage to her parents'  native Sydney. Young Nicole's first love was ballet, but she eventually  took up mime and drama as well (her first stage role was a bleating  sheep in an elementary school Christmas pageant). In her adolescent  years, acting edged out the other arts and became a kind of refuge -- as  her classmates sought out fun in the sun, the fair-skinned Kidman  retreated to dark rehearsal halls to practice her craft. She worked  regularly at the Philip Street Theater, where she once received a  personal letter of praise and encouragement from audience member Jane Campion  (then a film student). Kidman eventually dropped out of high school to  pursue acting full-time. She broke into movies at age 16, landing a role  in the Australian holiday favorite Bush Christmas (1983). That appearance touched off a flurry of film and TV offers, including a lead in BMX Bandits (1983) and a turn as a schoolgirl-turned-protester in the miniseries "Vietnam" (1987) (for which she won her first Australian Film Institute Award). With the help of an American agent, she eventually made her US debut opposite Sam Neill in the at-sea thriller Dead Calm (1989).
Kidman's next casting coup scored her more than exposure. While starring as Tom Cruise's doctor/love interest in the racetrack romance Days of Thunder  (1990), she won over the Hollywood hunk hook, line, and sinker. After a  whirlwind courtship (and decent box office returns), the couple wed on  December 24, 1990. Determined not to let her new marital status  overshadow her fledgling career, the actress pressed on. She appeared as  a catty high school senior in the Australian film Flirting (1991), then as Dustin Hoffman's moll in the gangster flick Billy Bathgate (1991). She reunited with Cruise for Far and Away (1992), the story of young Irish lovers who flee to America in the late 1800s, and starred opposite Michael Keaton in the tear-tugger My Life  (1993/I). Despite her steady employment, critics and moviegoers still  hadn't quite warmed to Kidman as a leading lady. She tried to spice up  her image by seducing Val Kilmer in Batman Forever (1995), but achieved her real breakthrough with Gus Van Sant's To Die For  (1995). As a fame-crazed housewife determined to eliminate any obstacle  in her path, Kidman proved that she had an impressive range and deadly  comic timing. She took home a Golden Globe and several critics' awards for the performance. In 1996, Kidman stepped into a corset to work with her countrywoman and onetime admirer, Jane Campion, on the adaptation of Henry James's The Portrait of a Lady (1996). A few months later, she tore across the screen as a nuclear weapons expert in The Peacemaker (1997), adding "action star" to her professional repertoire.
Spouse:
 | Keith Urban | (25 June 2006 - present) 2 children | 
 | Tom Cruise | (24 December 1990 - 8 August 2001) (divorced) 2 children | 
 
Trade Mark:
Often plays cold, emotionally vacant characters.
 
Trivia:
Listed in "People Weekly"s "Most Intriguing People" list. (December 25 1995/January 1 1996 issue)
2000: She and her husband Tom Cruise donated to Hillary Rodham Clinton's campaign for a seat in the U.S. Senate representing New York state.
Suffered a broken rib while rehearsing a dance routine for the movie Moulin Rouge! (2001). Production was halted while she recovered.
1999: Chosen by People Magazine as one of the 50 Most Beautiful People in the World.
1996: Chosen by People (USA) magazine as one of the 50 Most Beautiful People in the World.
Wore a corset while filming The Portrait of a Lady (1996) to take her waist down to 19".
Spent two weeks in bed after filming of The Portrait of a Lady (1996) - diagnosed as suffering from "emotional stress".
10/99: Crusader against child abuse. "Children should be allowed to grow up without fear of cruelty.".
In Moulin Rouge! (2001) Kidman sang alongside Ewan McGregor.
She has two adopted children with Tom Cruise: Isabella Jane Cruise (born December 22, 1992) Connor Antony Cruise (Connor Cruise) (born January 17, 1995).
Scared of butterflies.
 
Named one of People Magazine's 25 Most Intriguing People of 2001.
2001: Named E!'s Celebrity of the Year.
2001: Named Entertainment Weekly's Entertainer of The Year.
Played a young girl named Grace on a sketch on "Saturday Night Live" (1975) with Mike Myers, the next time she played a character named Grace was her 2001 movie, The Others (2001). She played a character named Grace for the third time in Dogville (2003).
She was supposed to be the star of Panic Room (2002), but she hurt herself in a stunt for Moulin Rouge! (2001). So, she played the voice of Jodie Foster's divorced husband's wife.
2002: Was named one of the 50 Most Beautiful People by People Magazine.
Sister of Australian television personality Antonia Kidman.
Although naturally left-handed, she taught herself to write right-handed for her role in The Hours (2002), where she played the right-handed author Virginia Woolf.
On, January 13, 2003, she received a star on the Hollywood Walk of Fame.
Found out about her first Academy Award nomination, for Moulin Rouge! (2001), while shooting Dogville (2003) in Sweden.
2003: Ranked #31 in Premiere's annual Power 100 List. Had ranked #83 in 2002.
First Australian actress to win the Best Actress Academy Award.
August 2008, was voted the fifth Sexiest Female Movie Star in the Australian Empire Magazine.
Measurements: 34B-23-36 (Source: Celebrity Sleuth magazine).
In recent polls, she was elected alongside fellow Aussie Hugh Jackman as one of the favorite upcoming romantic couples on screen.
Originally cast as Mrs. Smith in Mr. & Mrs. Smith (2005).
Has appeared in My Life (1993/I) with Michael Keaton, Batman Forever (1995) with Val Kilmer, The Peacemaker (1997) with George Clooney and The Portrait of a Lady (1996) with Christian Bale. All four actors have played Batman in a movie.
She was nominated for a Laurence Olivier Theatre Award in 1999 (1998 season) for Best Actress for her performance in "The Blue Room".
1998:  She was awarded the Special Award at the London Evening Standard  Theatre Awards for her special and significant contributions to London  Theatre for her performance in "The Blue Room".
A very tall woman at nearly 5' 11", she actually stood about 4 inches taller than ex-husband Tom Cruise,  and rarely wore heels when seen publicly with him so that they could  appear similar in height. Since their divorce, she is rarely seen on the  red carpet without high heels, and she often meets 6' 4" actors in the  eye.
Scored an IQ of 132+
 
Got the role as Diane Arbus in Fur: An Imaginary Portrait of Diane Arbus (2006) after Samantha Morton backed out.
To make the character 'Marisa Coulter' in The Golden Compass  (2007) so good as possible, she read the whole His Dark Materials  trilogy, and wrote small notes, whenever she found something personal  about the character.
While filming The Invasion  (2007/I) she was involved in an accident while riding with others in a  picture car mounted on trailer being towed by a camera truck rig. While  filming a stunt in downtown Los Angeles, the truck took a turn too wide,  slid on wet pavement, and collided with a light standard. Several stunt  artists on the picture car were injured in the accident. Ms. Kidman was  brought to the hospital as a precaution, but was able to return to the  set the next day.
With a beautiful letter, Philip Pullman convinced her to take the role as Marisa Coulter in The Golden Compass (2007).
Just like Brittany Murphy, Hugh Jackman, and Robin Williams she did her own singing for Happy Feet (2006).
While reaching a divorce from Tom Cruise, Nicole lived with her friend Naomi Watts.
Her friend Naomi Watts turned down the female lead in The Interpreter (2005) because she knew Nicole wanted the role.
Has always dreamed of working with her friend Steven Spielberg.
Like to work with costume designer Ann Roth, with whom she worked on Margot at the Wedding (2007), Cold Mountain (2003) and The Hours (2002).
One of her favorite movies is Gone with the Wind (1939).
Became good friends with Daniel Craig after working with him on The Invasion (2007/I) and The Golden Compass (2007).
 
 
She loved wearing the prosthetic nose, that she originally used in The Hours (2002) and wore it in private too, mainly as she was undergoing a divorce from Tom Cruise  at the time and was attracting a lot of paparazzi interest. Much to her  delight, by wearing her fake nose out and about, she found she could  easily evade the paparazzi as they didn't recognize her.
She decided not to imitate Virginia Woolf's actual tone and voice because she feared people thought it would be comic.
She is distantly related to Isabel Kidman, the second wife of Jack Lee.
Return to work two months after giving birth to her daughter Sunday in order to begin filming Nine (2009).
Replaced Catherine Zeta-Jones in the role of Claudia in Nine (2009) after she quit due to scheduling conflicts.
Dyed her hair dark brown during the nineties.
Became pregnant twice by Tom Cruise  during their marriage. In 1991 she suffered an ectopic pregnancy,  resulting in their decision to adopt, and then in 2000, prior to their  separation, she suffered a miscarriage.
Refused to screen test for the part of Jenny in Forrest Gump (1994). The part went to Robin Wright.
Auditioned for the role of Molly in Ghost (1990) which went to Demi Moore.
Turned down Jodie Foster's role in The Brave One (2007).
Is very close friends with fellow Aussie Hugh Jackman, her Australia (2008) co-star.
Was two months pregnant with her daughter Sunday when she completed filming on Australia (2008).
With her performance as Virginia Wolf in The Hours (2002) lasting around 25 minutes, she has one of the shortest Best Actress Oscar wins in history.
Her daughter Faith Margaret Kidman Urban, with husband Keith Urban,  was born at the Centennial Women's Hospital in Nashville, Tennessee via  a surrogate. It has been confirmed that the couple are the child's  biological parents (28 December 2010).
Personal Quotes:
[August 2000, on her marriage to Tom Cruise]  Every day there is a compromise. Living with somebody requires a lot of  understanding. But I love being married. I really love it. Sometimes I  try to downplay it a bit because people are like, "God you guys!" I just  feel so fortunate that I have found someone who will put up with me and  stay with me.
[on husband Tom Cruise] I wouldn't want to be married to me, but luckily he does.
[8/01, commenting on her break-up with Tom Cruise] Now I can wear heels.
It's  so bizarre, I'm not scared of snakes or spiders. But I'm scared of  butterflies. There is something eerie about them. Something weird!

[on winning the Academy Award for The Hours  (2002)] And I am standing in front of my mother, and my whole life I  have wanted to make my mother proud. And now I'm going to make my  daughter proud.
When I heard about the Suzanne role in To Die For (1995), I thought, "I'll never get it - it'll be offered to someone else." So I called Gus [Gus Van Sant] at home, and he took my call, thank God. I told him I'd seen Drugstore Cowboy (1989), and I really wanted to work with him. I said I was destined to work with him.
I think it's important that we don't all have to hold our heads high all the time saying everything's fine.
These different people that I play become the loves of my life.
The split [from Tom Cruise] left me very fragile but I'd love to marry again.
I would love to have boobs and a butt like Jennifer Lopez but I'm not having surgery so there it is.
[on receiving her star on the Walk of Fame] I've never been so excited to have people walk all over me for the rest of my life.
You  want to take some responsibility in your choices so that it sets the  groundwork for that next generation of actresses - so for me working  with Lars von Trier, I would hope that says to another generation: "go and seek out those directors, it's ok"
[on Dogville (2003)] One day it would be a fairy tale, the next it was a nightmare. Lars [Lars von Trier]  was gentle with me - he was gentle and soft, then he would beat me up  emotionally when he felt he needed that. I did not always register what  was happening until afterwards but you shouldn't have too much awareness  as an actor, I don't think.
 
 
I have a boy's body. I would prefer  to have more curves because I think that's more beautiful. I would much  rather have J. Lo's [Jennifer Lopez] body than mine.
[on filming The Interpreter  (2005) at UN headquarters in New York] As a backdrop for a thriller,  it's fantastic, but also since I'm Australian and I've always worked  internationally and this is an international place in New York, I really  like the kind of communication it represents. I know I sound very much  like my character now, but I do believe in this place.
[on Cold Mountain (2003), The Human Stain (2003) and Dogville  (2003) being released within months of each other] It's weird because  they're all coming out at once. But I made them over 2-1/2 years.
You  look at somebody's work as an actor and you can see their emotional  life being fed into it and you can kind of feel them through it. That's  far more interesting than anything I could say about where I'm at or who  I'm with. It's good to have a little distance. If you discuss your love  too much, it just damages it.
[on the troubled The Stepford Wives (2004)] It's a comedy. We hope.
Even  from a very early age I knew I didn't want to miss out on anything life  had to offer just because it might be considered dangerous.
Cinema  is a director's medium, so you're saying, "What do you want?" Being an  actor is about adapting - physically and emotionally. If that means you  have to look great for it and they can make you look great, then thank  you. And if you have to have everything washed away, then I'm willing to  do that too.
[on Birth  (2004)] This is a film about love. What is a great love? Is there a  love of our life? Do you ever recover from the loss of somebody that was  so important to you?
Stanley Kubrick  taught me to believe in myself artistically. I spent my 20s raising my  children, and wanting to, and being married. That was my driving force.  And then he said to me, "No, you have to respect your talent, and give  it some space, and give it some time." Which was a lovely thing to be  given. And my children were a little older then.
It was by chance that The Hours  (2002) came along. Was I in a place where I could say, "I'm going to go  to England and make this?" Yes. Could I do that earlier, when I was  married? No, I couldn't travel like that. We had a thing where we  couldn't be separated for more than two weeks. So that made a lot of  work just not possible. Which was fine by me.
I have moments where  I've said, "Don't tread on that crack in the pavement, don't have a  black cat walk in front of you." Deep down am I superstitious? No. Do I  believe in trying to be as kind as possible and as compassionate as  possible because ultimately you're alone with yourself and your own  conscience, and you want that to be as clear as possible? That's not  superstition. You have to just try and stay pure and know what you  value.
Usually, a young actress can't deliver because she doesn't  have the emotional baggage, really, to play those things. That's  something that's very beautiful about becoming a woman, and becoming a  woman in your 30s. If you've lived your life, and lived it where you've  said, "I want to be a participator and not a voyeur", then you have an  enormous amount to pull on.
I'm still just finding my way through.  I don't actually see a path in front of me. I can see not ever doing it  again, and I can also see other things pulling me away from this. It's  strange, because I know it's in my blood in terms of having to somehow  act or express myself creatively, but I'm willing to do it different  ways if need be. And I think that's partly because when I went through  my divorce I dealt with the idea of never ever working again, and never  being here and never able to be an actress, and went through an enormous  amount of soul searching, and at that time, I was very ready to give it  all up, and dealt with that emotionally. I was going, "Well, I'll never  be able to do this again." And that was OK. And, strangely, as life is  so strange, that was when everything exploded.
I never feel like  I'm in control. There's a certain type of actor that relinquishes  control when they act, and then there's another type who ends up being a  producer and director and they're more someone that likes to take  control. I fall in the first category, where I like to relinquish  control, and fit into somebody else's world. And that's just lately, but  you never feel like you are making choices. You feel like they're  finding you in a strange way. That's why when people say, "What role do  you want to play next?", I say, "I don't know". I never know. It's about  responding to things rather than planning.
I think someone said  my career defies all logic [laughs]. Because I choose the sort of  strange little films, and somehow they're the things that make my  career.
So if you talk about a box-office career, then I'm a disaster. But somehow, you know, I still manage to find my way to work.
 
I  think actors are getting so much more power these days, but I'm not. I  stay very much away from the decisions, the way in which things are  orchestrated, what's been changed. I just try to stay completely in the  role as the actor and as the character.
I'm at a time of my life  now where, for me to want to go back and work, it'd have to be something  that I really feel passionately about.
Regrets are ridiculous, so I don't regret, no.
[talking about her character from Batman Forever (1995)] Chase is attracted to the darker side of life. Batman is very appealing to her.
To  be an actor you have to have a certain amount of madness in you. That's  why, when people meet you and you seem very together, they are quite  surprised--they don't see you behind closed doors.
[speaking of her father Antony Kidman] He's a great father, I can call him at three in the morning and he's there for me.
By  the time I was a teenager, I had developed skills as a writer, and my  father encouraged me to think about a career in journalism. I began  keeping a diary, which I maintain to this day. I used to fill whole  notebooks with my writings.
My parents thought it was nice to  develop my imagination, but they never seriously thought that anything  would ever come of it. They said that I couldn't be an actress because I  would be taller than all my leading men, so I thought I would be a  writer instead.
It was very natural for me to want to disappear  into dark theater, I am really very shy. That is something that people  never seem to fully grasp because, when you are an actor, you are meant  to be an exhibitionist.
Do you know I'm always scared that one day  I'll look back and say "God they were the best years of my life and now  what?" There are moments when you feel as if you have been blessed for a  while, moments when you think this is perfect, moments when you start  to believe that even for an hour, even for a year, it might all happen.  So I'm determined to keep making it get better and better.
It's a  very brave thing to fall in love. You have to be willing to trust  somebody else with your whole being, and that's very difficult, really  difficult and very brave.
[about her first role at the age of five] I was one of those terrible kids who said everyone's lines.
Since  I have fair skin, I have to stay out of the sun. I can't stand the sun.  I dyed my hair red for a while during the 1990s but I'm actually a  natural blonde.
I'm very close to my sister, Antonia [Antonia Kidman]. Every day we swim together. I love my sister.
When I was a child, I was a natural towhead. Now my hair is naturally a darker shade of blonde.
I'd like to be wise. You have to go through a lot to get there, but I'm willing to go through a lot.
What's the point of doing something good if nobody's watching?
Even  from a very early age, I knew I didn't want to miss out on anything  life had to offer just because it might be considered dangerous.
I believe that as much as you take, you have to give back. It's important not to focus on yourself too much.
I  love acting but I don't like all of the other stuff associated with it.  The interest in celebrities, the press, the Internet, when your  identity becomes mixed up in the way people are perceiving you.
I  have a little bit of a belly, a tiny bit of pooch. It's the one thing I  don't want to lose. I just like having some softness. If I lose that,  then Tom [husband Tom Cruise] might leave me.
I never knew I'd be in a musical, let alone win an award for one.
There's no drugs, no Tom [Tom Cruise] in a dress, no psychiatrists.
Having gone through all of this, I feel in some ways calmer now. It's strange, but sad. I think I'll always be sad.
I love acting, but it's much more fun taking the kids to the zoo.
[on her split with Tom Cruise] My life collapsed. People ran from me because suddenly it was, "Oh my God! It's over for her now!"
I love working with people who are inspired and obsessive.
As  a child my hair was naturally red, but since I was 13 my hair turned  light blonde naturally. It's really strange but it happened. Ever since  Chase through the night, the directors made me dye my hair red, as they  all thought it suited me at the time. Even for Dead Calm (1989), Phillip Noyce made me dye my hair red. Now the directors and studios just let me keep my natural blonde hair.
For  an actor, facial expressions and emotions are really important. That's  why I'll never have Botox. I've always been against that and seeing  Botox on TV with all the swelling and pain put me off it anyway. The  directors always allow actors with Botox but I just say. "No way, not  for me". Drinking lots of water, eating fruit and doing yoga is what  keeps me looking young naturally. I swear by it. I also use creams with  natural ingredients to make wrinkles less visible. Everybody should try  these things rather than going the plastic route, which I just hate.
You don't have to be naked to be sexy.
I'm  a person that carries everything that happened to me in my past, with  me into the future. I refuse to let it make me bitter. I still  completely believe in love and I remain open to anything that will  happen to me.
If I packaged toothpaste and told you you were gonna get half the toothpaste in the tube, you probably wouldn't buy it.
It  would be far easier to go, "Oh, I wish I loved women," but I don't. I  love the way a man thinks. I love the way a man smells. I love the way  men look. And I'm hooked on the male physique - hooked on it.
You're either going to walk through life and experience it fully or you're going to be a voyeur. And I'm not a voyeur.
On  living in Nashville: It's the warmest, loveliest community I've ever  set foot in. For me, it's the perfect place to live. To me, it's the  best part of America...It's the easiest place to live. Keith's lived  there for 20 years. The country music community is very tight. I like  the polite nature of it. No traffic. I'm a big Southern girl now. It's  just suits me.
Salary:
 | Australia (2008) | $13,000,000 | 
 | The Golden Compass (2007) | $15,000,000 | 
 | Margot at the Wedding (2007) | $6,000 | 
 | The Invasion (2007/I) | $16,000,000+ | 
 | Bewitched (2005) | $17,500,000 | 
 | The Interpreter (2005) | $15,000,000 | 
 | Birth (2004) | $15,000,000 | 
 | The Stepford Wives (2004) | $15,000,000 | 
 | Cold Mountain (2003) | $15,000,000 | 
 | Dogville (2003) | $2,800,000 | 
 | The Hours (2002) | $7,500,000 | 
 | Birthday Girl (2001) | $1,500,000 | 
 | The Others (2001) | $7,000,000 | 
 | Moulin Rouge! (2001) | $7,000,000 | 
 | Eyes Wide Shut (1999) | $6,500,000 | 
 | Practical Magic (1998) | $6,000,000 | 
 | The Peacemaker (1997) | $5,000,000 | 
 | The Portrait of a Lady (1996) | $2,500,000 | 
 | Batman Forever (1995) | $2,500,000 | 
 | To Die For (1995) | $2,000,000 | 
 | My Life (1993/I) | $500,000 | 
 | Far and Away (1992) | $250,000 | 
 | Billy Bathgate (1991) | $200,000 | 
 | Days of Thunder (1990) | $200,000 | 
Where Are They Now:
(January 2011) Nashville, Tennessee